We invite you to discover a wide range of works from 1970 to 2000, presenting greatly diverse styles and content.

We invite you to discover a wide range of works from 1970 to 2000, presenting greatly diverse styles and content.

Fiction has its genres, from science fiction to romantic comedy. Some might think that the documentary, by contrast, never really changes except in so far as different films have different makers and subjects. 

Fiction has its genres, from science fiction to romantic comedy. Some might think that the documentary, by contrast, never really changes except in so far as different films have different makers and subjects. 

Two intertwined and unfathomable mysteries have long captivated and fascinated us: the creative process and creative thought—whether among artists, philosophers or intellectuals.

Two intertwined and unfathomable mysteries have long captivated and fascinated us: the creative process and creative thought—whether among artists, philosophers or intellectuals.

The BODY section includes two programs. The first, STARING, deals with portraits and includes a variety of perspectives on identity. The second, ACTIONS AND PERFORMANCES, introduces an important dimension of video: on-camera performance and action.

The BODY section includes two programs. The first, STARING, deals with portraits and includes a variety of perspectives on identity. The second, ACTIONS AND PERFORMANCES, introduces an important dimension of video: on-camera performance and action.

The four programs of the VOICE section explore the secrets of the art of storytelling and framing a narrative. Some of these pieces have a more autobiographical bent and are collected in the CONFESSIONS program, while a group of fictional pieces make up the NARRATIVES program.

The four programs of the VOICE section explore the secrets of the art of storytelling and framing a narrative. Some of these pieces have a more autobiographical bent and are collected in the CONFESSIONS program, while a group of fictional pieces make up the NARRATIVES program.

Thinking about the MACHINE provides an opening to look at video as a tool that shapes various plastic, formal and conceptual aspects of creativity. This section is all about experimentation, exploration of languages and the coexistence of different media.

Thinking about the MACHINE provides an opening to look at video as a tool that shapes various plastic, formal and conceptual aspects of creativity. This section is all about experimentation, exploration of languages and the coexistence of different media.